Image via allure.com.
Showing posts with label runway. Show all posts
Showing posts with label runway. Show all posts
Thursday, March 10, 2011
This Hair. I Need It.
I need the hair from the Fall 2011 Chloe show. It's to die for. First off, that strawberry blonde color is covetable, but it's the combination of straight and wavy that's going on here with the bedhead thrown in. It's an interesting, new take on beachy waves. It looks like they just curled a few sections in the middle of the hair with a center part and lots of volume.
Image via allure.com.
Image via allure.com.
Alexander McQueen Fall 2011
I know everyone was waiting for the McQueen show this weekend with baited breath, as it's the first McQueen show designed entirely by Sarah Burton, the new designer behind McQueen. I think she proved that she is as much part of the brand's DNA as anyone could ever be after McQueen himself. The series of white dresses at the end did nothing to assuage the rumors that she's designing Kate Middleton's wedding gown (which could possibly be the best thing ever).
The zipper detail on that white skirt is just shutting it down. And that jacket looks like it's about to take flight! In the best possible way. I need some of those leather leggings and those fabulous platform shoes. The combination of textures between the tweedy top and the furry, tactile skirt is so unexpected but so right somehow.
I want this vest to wear in the cold here and I want it now. The giant fur hood is very glam Eskimo, the leather biker shorts are very Hells Angels, and the shoes and gloves so dominatrix, but all together it manages to work somehow. How elegant is this white dress? The sleeves just float so perfectly, and the slit detailing in the skirt gives it a fun, younger twist.
The skirt on this first dress is so fascinating, like folded origami paper. The neck ruff is very Elizabethan, but the dress still looks so modern and unexpected. I adore this second gown. The bodice is like shattered china pieced back together and the skirt is just waves and waves of tiny, intricate folds that flow away from the body so majestically.
Dear Kate Middleton: wear this first dress to your wedding next month. Kthanks. The cut of the bodice is so fragile and elegant, and the overall shape is so simple, but the detail and texture and appliques give it such an alien, ethereal quality. It really is from another world. And I just love the combination of bondage and chiffon in this second dress. Who else could make chiffon look tough and intimidating? That dusty lavender hue is just gorgeous.
Images via style.com.
The zipper detail on that white skirt is just shutting it down. And that jacket looks like it's about to take flight! In the best possible way. I need some of those leather leggings and those fabulous platform shoes. The combination of textures between the tweedy top and the furry, tactile skirt is so unexpected but so right somehow.
I want this vest to wear in the cold here and I want it now. The giant fur hood is very glam Eskimo, the leather biker shorts are very Hells Angels, and the shoes and gloves so dominatrix, but all together it manages to work somehow. How elegant is this white dress? The sleeves just float so perfectly, and the slit detailing in the skirt gives it a fun, younger twist.
The skirt on this first dress is so fascinating, like folded origami paper. The neck ruff is very Elizabethan, but the dress still looks so modern and unexpected. I adore this second gown. The bodice is like shattered china pieced back together and the skirt is just waves and waves of tiny, intricate folds that flow away from the body so majestically.
Dear Kate Middleton: wear this first dress to your wedding next month. Kthanks. The cut of the bodice is so fragile and elegant, and the overall shape is so simple, but the detail and texture and appliques give it such an alien, ethereal quality. It really is from another world. And I just love the combination of bondage and chiffon in this second dress. Who else could make chiffon look tough and intimidating? That dusty lavender hue is just gorgeous.
Images via style.com.
Tuesday, March 8, 2011
Christian Dior Fall 2011
So my normal Fashion Week coverage has lulled. And by lulled I mean died before it even started. See the thing is that I've looked through all the shows and have a giant Style.com lookbook of all the looks I like...but it keeps crashing. Like the lookbook doesn't work. Every time I go back and try to pull images from it it goes crazy. So. I don't know what to do about that. Coverage may come eventually? In the meantime, I felt like the Dior show was noteworthy enough to go through the pain of figuring out how to post.
I'm sure some of you have heard, but Galliano was fired from Dior for making some particularly hateful and anti-Semitic remarks on camera. However, I can't hate the clothes for his mistakes, so let's just focus on how pretty they are. Because they are very pretty.
The overall vibe here is boho luxe meets '20s meets '40s meets Zorro/medieval peasants. Yep. That's a lot of influences. I think the main thing to focus on are the shapes and the fabrics.
Doesn't Karlie Kloss look like an awesomely high-fashion Zorro-bandit in this first look? I adore those thigh-high boots. It looks like the fur circle scarves from a few seasons ago are going to be back full force (I blame the Prada fur stoles from last season). I love the layering here, with the miniskirt and the thigh-high boots. It's not showing a lot of skin, but it's still hot.
And more furry circle scarves! Sweeping a-line coats are also going to be a thing next season. There's something so USSR about them. That blue coat belongs in my life.
Also cropped fur jackets. Basically fur in all incarnations is going to be big. That gold coat might be my favorite piece. The cut says military, but the fabric says baroque luxury, and the fur on top gives it all a wild twist.
How Hitchcock heroine is that fur scarf/jacket combo? The bow at the waist is too cute, and the fur picks up the color palette of the jacket perfectly, while the skirt's light texture gives it all a bit of a whimsical twist. I feel like this red dress is what a Jane Austen heroine would wear to a cocktail party today. Which makes me love it so much.
I love the subtle variations in hue of these two looks. At first glance they seem to be all greyish beige, but once you look closer you see all the small changes in color and texture. Also I love that these two looks show how different outerwear gives a totally different vibe to similar dresses. The blazer makes the minidress more daytime appropriate, and the fur jacket makes it very nighttime luxe.
And the fur circle scarves even go with cocktail dresses! These dresses are so interesting in that they seem like just layers of silk and chiffon, but then you start to see all the detail and construction that goes into them, like the artful draping on the second dress and the tiny, asymmetrical layers on the first dress.
All images via style.com.
I'm sure some of you have heard, but Galliano was fired from Dior for making some particularly hateful and anti-Semitic remarks on camera. However, I can't hate the clothes for his mistakes, so let's just focus on how pretty they are. Because they are very pretty.
The overall vibe here is boho luxe meets '20s meets '40s meets Zorro/medieval peasants. Yep. That's a lot of influences. I think the main thing to focus on are the shapes and the fabrics.
Doesn't Karlie Kloss look like an awesomely high-fashion Zorro-bandit in this first look? I adore those thigh-high boots. It looks like the fur circle scarves from a few seasons ago are going to be back full force (I blame the Prada fur stoles from last season). I love the layering here, with the miniskirt and the thigh-high boots. It's not showing a lot of skin, but it's still hot.
And more furry circle scarves! Sweeping a-line coats are also going to be a thing next season. There's something so USSR about them. That blue coat belongs in my life.
Also cropped fur jackets. Basically fur in all incarnations is going to be big. That gold coat might be my favorite piece. The cut says military, but the fabric says baroque luxury, and the fur on top gives it all a wild twist.
How Hitchcock heroine is that fur scarf/jacket combo? The bow at the waist is too cute, and the fur picks up the color palette of the jacket perfectly, while the skirt's light texture gives it all a bit of a whimsical twist. I feel like this red dress is what a Jane Austen heroine would wear to a cocktail party today. Which makes me love it so much.
I love the subtle variations in hue of these two looks. At first glance they seem to be all greyish beige, but once you look closer you see all the small changes in color and texture. Also I love that these two looks show how different outerwear gives a totally different vibe to similar dresses. The blazer makes the minidress more daytime appropriate, and the fur jacket makes it very nighttime luxe.
And the fur circle scarves even go with cocktail dresses! These dresses are so interesting in that they seem like just layers of silk and chiffon, but then you start to see all the detail and construction that goes into them, like the artful draping on the second dress and the tiny, asymmetrical layers on the first dress.
All images via style.com.
Monday, February 28, 2011
Oscars Red Carpet Round-Up
I won't even go into the trainwreck that was the Oscars last night. Let's just talk about the pretty clothes. There wasn't a lot of high drama or risk taking on the red carpet, but there were some lovely, lovely gowns that deserve to be shown off (and some less than lovely gowns).
Anne Hathaway in Valentino, Natalie Portman in Rodarte: From the neck up--yes. Gorgeous. But that dress makes her looks like she has weird growths on the bottom half of her body, and that is generally not a good thing. Also the material just looks cheap, no? Natalie Portman, on the other hand, looks absolutely radiant. I like that she went with something simple and flattering, but not boring, and that color is wonderful on her.
Givenchy Haute Couture, Versace: Now, Anne wore like 15 gowns throughout the ceremony as one of the main hosts. Some of them were prettier than others. For instance, this white Givenchy looks odd on her. The way it hits her hips is not flattering, and while I like the concept of the dress I don't think it works for her body at all. Look how much smaller she looks in this gorgeous Versace that she wore later in the show. I love this dress. It's venue appropriate and flattering but it's still a little edgy and sassy.
Mila Kunis in Elie Saab, Michelle Williams in Chanel: Mila has my favorite dress of the night. The pale lilac is very flattering, as is the cut of the dress, but what really makes it is all that deconstructed lace paneling. I'm sure it's over a nude base layer, otherwise that would be a little too scandalous, but it manages to walk that line between sexy and elegant so, so well. As for Michelle Williams, I really wanted to like this, but it feels so boring and sad. Also not fancy enough for the event, no? And it's not very flattering. Girl needs a new stylist because clearly she's gorgeous and doesn't deserve to be stuck in such duds of gowns (see her Golden Globes dress)
Hailee Steinfeld in Marchesa, Jennifer Lawrence in Calvin Klein: What I really love about Hailee's ensemble is that it's age appropriate. She's not showing a ton of skin for a young teen, but she still looks cute and fun, plus she manages to pull off an awkward skirt length and a top knot very well. Props to her. I like the simple makeup and styling against the full volume of the skirt. Well played. Jennifer Lawrence made a risky choice going with such a simple dress, but I think she pulled it off. Dresses like this really make your body the center of attention, and when you have a body like she does you can definitely work it out. I wish there was a little more bling, but overall she looks fantastic.
Amy Adams in L'Wren Scott, Jennifer Hudson in Versace: Is it just me or do these two girls look much thinner than normal. Amy Adams practically disappears here! The dress is a pretty color and the shape is relatively flattering, but I wish she'd traded the necklace for a statement cuff or some earrings, because that neckline looks pretty busy. Now, Jennifer Hudson's body looks AMAZING, but that dress...it's like a bad '80s prom dress. The color is lovely, but it's doing some very odd things to her chest, and the skirt is swallowing her whole.
Cate Blanchett in Givenchy Couture, Scarlett Johansson in Dolce & Gabbana: I have mixed feelings about this dress on Cate Blanchett. On the one hand I like it because she can pull it off and it's on-trend, and on the other hand it feels a bit awkward. But it's Cate Blanchett, so she gets a pass. ScarJo, on the other hand...I really wanted to like this. But I can't. I like the shape on her, but the fabric reminds me of the carpet in a run-down Victorian brothel in Paris. Maybe a different color? Also what on earth is going on with her eyeshadow? Ayayay.
Reese Witherspoon in Armani, Penelope Cruz in L'Wren Scott: What makes me dislike this look on Reese is that we all know how well she can do the Oscars red carpet (see that little yellow Nina Ricci dress from a few years ago). This just feels muted and a little aging on her. The black/white combo reminds me of a cocktail waiter, and it all just feels a little flat. I want there to be more jewelry, more sparkle, more something. Penelope Cruz, on the other hand, is working it for having just had a baby literally weeks ago. That dress is very flattering, the embellishment is both sassy and event appropriate, and she and Javier are just SO CUTE. I hope I look that good after just having a baby. Yikes.
Hillary Swank in Gucci, Halle Berry in Marchesa: I love one of these and hate the other. Guess which is which. They both have similar mermaid shapes and muted color palettes, but the difference here is in the detailing the skirt. The feathers on Hillary Swank's Gucci just elegantly appear out of nowhere and then take the skirt for a gorgeous Black Swin spin, whereas the tulle on Halle Berry's Marchesa looks like it was randomly stapled on. Hm.
Images via nymag.com.
Anne Hathaway in Valentino, Natalie Portman in Rodarte: From the neck up--yes. Gorgeous. But that dress makes her looks like she has weird growths on the bottom half of her body, and that is generally not a good thing. Also the material just looks cheap, no? Natalie Portman, on the other hand, looks absolutely radiant. I like that she went with something simple and flattering, but not boring, and that color is wonderful on her.
Givenchy Haute Couture, Versace: Now, Anne wore like 15 gowns throughout the ceremony as one of the main hosts. Some of them were prettier than others. For instance, this white Givenchy looks odd on her. The way it hits her hips is not flattering, and while I like the concept of the dress I don't think it works for her body at all. Look how much smaller she looks in this gorgeous Versace that she wore later in the show. I love this dress. It's venue appropriate and flattering but it's still a little edgy and sassy.
Mila Kunis in Elie Saab, Michelle Williams in Chanel: Mila has my favorite dress of the night. The pale lilac is very flattering, as is the cut of the dress, but what really makes it is all that deconstructed lace paneling. I'm sure it's over a nude base layer, otherwise that would be a little too scandalous, but it manages to walk that line between sexy and elegant so, so well. As for Michelle Williams, I really wanted to like this, but it feels so boring and sad. Also not fancy enough for the event, no? And it's not very flattering. Girl needs a new stylist because clearly she's gorgeous and doesn't deserve to be stuck in such duds of gowns (see her Golden Globes dress)
Hailee Steinfeld in Marchesa, Jennifer Lawrence in Calvin Klein: What I really love about Hailee's ensemble is that it's age appropriate. She's not showing a ton of skin for a young teen, but she still looks cute and fun, plus she manages to pull off an awkward skirt length and a top knot very well. Props to her. I like the simple makeup and styling against the full volume of the skirt. Well played. Jennifer Lawrence made a risky choice going with such a simple dress, but I think she pulled it off. Dresses like this really make your body the center of attention, and when you have a body like she does you can definitely work it out. I wish there was a little more bling, but overall she looks fantastic.
Amy Adams in L'Wren Scott, Jennifer Hudson in Versace: Is it just me or do these two girls look much thinner than normal. Amy Adams practically disappears here! The dress is a pretty color and the shape is relatively flattering, but I wish she'd traded the necklace for a statement cuff or some earrings, because that neckline looks pretty busy. Now, Jennifer Hudson's body looks AMAZING, but that dress...it's like a bad '80s prom dress. The color is lovely, but it's doing some very odd things to her chest, and the skirt is swallowing her whole.
Cate Blanchett in Givenchy Couture, Scarlett Johansson in Dolce & Gabbana: I have mixed feelings about this dress on Cate Blanchett. On the one hand I like it because she can pull it off and it's on-trend, and on the other hand it feels a bit awkward. But it's Cate Blanchett, so she gets a pass. ScarJo, on the other hand...I really wanted to like this. But I can't. I like the shape on her, but the fabric reminds me of the carpet in a run-down Victorian brothel in Paris. Maybe a different color? Also what on earth is going on with her eyeshadow? Ayayay.
Reese Witherspoon in Armani, Penelope Cruz in L'Wren Scott: What makes me dislike this look on Reese is that we all know how well she can do the Oscars red carpet (see that little yellow Nina Ricci dress from a few years ago). This just feels muted and a little aging on her. The black/white combo reminds me of a cocktail waiter, and it all just feels a little flat. I want there to be more jewelry, more sparkle, more something. Penelope Cruz, on the other hand, is working it for having just had a baby literally weeks ago. That dress is very flattering, the embellishment is both sassy and event appropriate, and she and Javier are just SO CUTE. I hope I look that good after just having a baby. Yikes.
Hillary Swank in Gucci, Halle Berry in Marchesa: I love one of these and hate the other. Guess which is which. They both have similar mermaid shapes and muted color palettes, but the difference here is in the detailing the skirt. The feathers on Hillary Swank's Gucci just elegantly appear out of nowhere and then take the skirt for a gorgeous Black Swin spin, whereas the tulle on Halle Berry's Marchesa looks like it was randomly stapled on. Hm.
Images via nymag.com.
Tuesday, January 18, 2011
Golden Globes Red Carpet 2011: The Bad and the Maybe
The good dresses on the red carpet are fun, but the maybe and bad dresses are way, way more fun to talk about, no?
Jenna Ushkowitz in Rebecca Taylor, Kaley Cuoco in Katherine Kidd: Jenna is so, so pretty. This dress is not as pretty as she is. The bottom looks like the curtains from a Victorian themed bordello, and the top looks like it came from a bad '90s prom dress. I love her on Glee, but apparently her stylist doesn't. I think Kaley Cuoco is a maybe here. On the plus side, her long ponytail and minimalist jewelry are working really nicely together, and she wears an off-white beautifully. On the down side, that dress looks like a wedding cake. I think either fewer ruffled tiers or a different, less bridal color would have totally sold me on this.
Jennifer Love Hewitt in Romona Keveza, Lea Michelle in Oscar de la Renta: Jennifer Love Hewitt is actually wearing a wedding dress. And she is wearing a wedding dress that is insanely unflattering, gives her shelf boob, and a top bun that is the size of her entire head. Oh dear. Watching Lea Michelle try to look likable and not like she wanted to kill everyone else in her category the entire night was highly entertaining. This dress is also entertaining, but not in a good way. It's a bit of a hot mess. I like the color, but it looks wrinkled and like she stapled a giant bunch of excess fabric to her hip.
Helena Bonham Carter in Vivienne Westwood, Eva Longoria in Zac Posen: I can't put Helena Bonham Carter in the bad category, but I can't put her in the good category, so she's hanging out in maybe land. This Vivienne Westwood dress is exactly what I think that she would wear. The mohawk hair and mismatched shoes also make perfect sense. I think she called the look "evil witch fairy," which also fits. It is mildly insane looking, but if she wore a simple floor length gown we'd all be bored and confused. Clearly Eva Longoria is gorgeous. But in this dress she looks like she's in mourning for her marriage. She should have taken a page out of Reese Witherspoon's book, with that little yellow Nina Ricci dress and cute bangs from the Oscars a few years ago after she split with Ryan Phillippe. I wish she'd worn something more fun and more 'look at what you're missing out on, Tony Parker" than "please don't look at me, I am dramatically reminding everyone of my divorce."
Natalie Portman in Victor & Rolf, January Jones in Versace: In theory, I like this dress on Natalie Portman. The colors are quite flattering, and I like the rose detail. Also she looks better pregnant than most people do ever, which is very annoying. But doesn't it make her look a lot more pregnant than she actually is? I think if that extra bit of draping in the front was gone I could love it, but this makes her look 8 months pregnant instead of 4 months or so. When I saw this January Jones dress from a distance and thought it was just a satin, I liked it. It's definitely "helloooo, everybody, recognize that I am HAWT," but she pulls off the silhouette very nicely. But when I realized the whole thing was fringe...too much. It looks like it was made of trim, and like she could have a wardrobe malfunction at any minute.
Sandra Bullock in Jenny Packham, Christina Aguilera: I like this look on Sandra Bullock. I like the bangs, I like the shape, color, and detailing of the dress. But...if feels like she's hiding a bit, no? I think the bangs are a little too long, and I wish she was showing a little more skin. Maybe a slit up the side? Oh, Xtina. Oh, oh no. She looks amazing in Burlesque, so I'm blaming the dress and the bad implants for making her look much heavier than she is. Also the dress just looks trashy.
Amy Adams in Marchesa, Jennifer Lopez in Zuhair Murad: Amy Adams has worn some truly amazing things on the red carpet. This...this is a let down. I like the shade of blue, but her hair looks rather dull here, no? And the organic protrusions on her shoulder and hip don't go with the rest of the dress and aren't very flattering. Oh, Jennifer Lopez. You never disappoint. It's like she took a simple, Grecian dress and then threw a sheer, bedazzled poncho on top of it. I just don't understand, although on her that story does make a lot of sense.
Halle Berry in Nina Ricci, Michelle Williams in Valentino: Oh, Halle. I really want to like this because it's Nina Ricci, and she has an AMAZING body for having had a baby 8 months ago, but...it's a little inappropriate. It's like she put on some gorgeous lingerie and then wrapped some chiffon curtains around her waist and called it good to go. I think on anyone else this would be a terrible hot mess, but on her it's just a little unfortunate. Michelle Williams, I want to like everything you wear so badly. You seem like such a lovely person and you are genuinely adorable, but this dress...this dress is terrible. Maybe if it was short and belted it would be a cute day dress, but it's blah, it's unflattering, it looks dated, and it's not red carpet appropriate. I think doing so well with that saffron yellow dress at the Oscars a few years ago kind of sets her up for failure because it really doesn't get any better than that.
Images from nymag.com.
Jenna Ushkowitz in Rebecca Taylor, Kaley Cuoco in Katherine Kidd: Jenna is so, so pretty. This dress is not as pretty as she is. The bottom looks like the curtains from a Victorian themed bordello, and the top looks like it came from a bad '90s prom dress. I love her on Glee, but apparently her stylist doesn't. I think Kaley Cuoco is a maybe here. On the plus side, her long ponytail and minimalist jewelry are working really nicely together, and she wears an off-white beautifully. On the down side, that dress looks like a wedding cake. I think either fewer ruffled tiers or a different, less bridal color would have totally sold me on this.
Jennifer Love Hewitt in Romona Keveza, Lea Michelle in Oscar de la Renta: Jennifer Love Hewitt is actually wearing a wedding dress. And she is wearing a wedding dress that is insanely unflattering, gives her shelf boob, and a top bun that is the size of her entire head. Oh dear. Watching Lea Michelle try to look likable and not like she wanted to kill everyone else in her category the entire night was highly entertaining. This dress is also entertaining, but not in a good way. It's a bit of a hot mess. I like the color, but it looks wrinkled and like she stapled a giant bunch of excess fabric to her hip.
Helena Bonham Carter in Vivienne Westwood, Eva Longoria in Zac Posen: I can't put Helena Bonham Carter in the bad category, but I can't put her in the good category, so she's hanging out in maybe land. This Vivienne Westwood dress is exactly what I think that she would wear. The mohawk hair and mismatched shoes also make perfect sense. I think she called the look "evil witch fairy," which also fits. It is mildly insane looking, but if she wore a simple floor length gown we'd all be bored and confused. Clearly Eva Longoria is gorgeous. But in this dress she looks like she's in mourning for her marriage. She should have taken a page out of Reese Witherspoon's book, with that little yellow Nina Ricci dress and cute bangs from the Oscars a few years ago after she split with Ryan Phillippe. I wish she'd worn something more fun and more 'look at what you're missing out on, Tony Parker" than "please don't look at me, I am dramatically reminding everyone of my divorce."
Natalie Portman in Victor & Rolf, January Jones in Versace: In theory, I like this dress on Natalie Portman. The colors are quite flattering, and I like the rose detail. Also she looks better pregnant than most people do ever, which is very annoying. But doesn't it make her look a lot more pregnant than she actually is? I think if that extra bit of draping in the front was gone I could love it, but this makes her look 8 months pregnant instead of 4 months or so. When I saw this January Jones dress from a distance and thought it was just a satin, I liked it. It's definitely "helloooo, everybody, recognize that I am HAWT," but she pulls off the silhouette very nicely. But when I realized the whole thing was fringe...too much. It looks like it was made of trim, and like she could have a wardrobe malfunction at any minute.
Sandra Bullock in Jenny Packham, Christina Aguilera: I like this look on Sandra Bullock. I like the bangs, I like the shape, color, and detailing of the dress. But...if feels like she's hiding a bit, no? I think the bangs are a little too long, and I wish she was showing a little more skin. Maybe a slit up the side? Oh, Xtina. Oh, oh no. She looks amazing in Burlesque, so I'm blaming the dress and the bad implants for making her look much heavier than she is. Also the dress just looks trashy.
Amy Adams in Marchesa, Jennifer Lopez in Zuhair Murad: Amy Adams has worn some truly amazing things on the red carpet. This...this is a let down. I like the shade of blue, but her hair looks rather dull here, no? And the organic protrusions on her shoulder and hip don't go with the rest of the dress and aren't very flattering. Oh, Jennifer Lopez. You never disappoint. It's like she took a simple, Grecian dress and then threw a sheer, bedazzled poncho on top of it. I just don't understand, although on her that story does make a lot of sense.
Halle Berry in Nina Ricci, Michelle Williams in Valentino: Oh, Halle. I really want to like this because it's Nina Ricci, and she has an AMAZING body for having had a baby 8 months ago, but...it's a little inappropriate. It's like she put on some gorgeous lingerie and then wrapped some chiffon curtains around her waist and called it good to go. I think on anyone else this would be a terrible hot mess, but on her it's just a little unfortunate. Michelle Williams, I want to like everything you wear so badly. You seem like such a lovely person and you are genuinely adorable, but this dress...this dress is terrible. Maybe if it was short and belted it would be a cute day dress, but it's blah, it's unflattering, it looks dated, and it's not red carpet appropriate. I think doing so well with that saffron yellow dress at the Oscars a few years ago kind of sets her up for failure because it really doesn't get any better than that.
Images from nymag.com.
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